A friend of mine from England turned me onto Gustav Vigeland (1869-1943) about three years ago. I was already pretty deep into the idea of constructing larger forms from individual figures(something I saw during my time in Indonesia), but this influence really set me on my present course. I don't have a strong desire to work in sculpture, but I think that the solid drawing principles that I admire have a sculptural quality. It's all about weight, and Gustav is a prime example. Ironically, the monolith configuration he has constructed are totally impossible to perform in reality, but his representation of the action makes it believable. When you're seeking to create the bizarre, it's effective to construct things in a believable way. The most strange things are best to illustrate within reality, otherwise you risk venturing into that fantasy world, and inevitably lose grounding and meaning.